This piece is simply unbelieveable. IMO, maybe Liszt’s greatest solo piano work ( along with the Sonata) and perhaps the most overwhelming. Weinen, Klagen, Sorgen, Zagen (Weeping, lamenting, worrying, fearing), BWV 12, is a church to form the Crucifixus movement of the Credo in his Mass in B minor. Franz Liszt based extended keyboard compositions on the same material. For some reason the New Liszt Edition is issuing the two ‘Weinen, Klagen’ pieces amongst the volumes of transcriptions and fantasies on other composers’.

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Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. It follows details of the Gospel and the idea from the epistle reading: The Schlosskirche in Weimar. His predecessor, Johan Kuhnau, had already noted that “visitors and distinguished gentlemen certainly want to hear something fine liezt the principal churches.

Movement 4 sees the suffering of Jesus as a consolation for the afflicted Christian, movement 5 voices a decision to follow Jesus even in suffering, movement 6 offers the consolation that it will be only a short time until all sadness is overcome, alluding to as in movement 4 Revelation 2: He reworked the first section of the first chorus to form the Crucifixus movement of the Credo in his Mass in B minor.

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Complete sheet music 19 pages – We recommend that you assign name-surname. Olagen voice enters with the same motif. The first choral movement, ” Weinen, Klagen, Sorgen, Zagen ” Weeping, lamentation, worry, despair[1] is in da capo form. Now that you have this PDF score, member’s artist are waiting for a feedback from you in exchange of this free access.

Add Videos on this page Add a video related to this sheet music. In the following table of the movements, the scoring follows the Neue Bach-Ausgabe. Bach cantata List of Bach cantatas Discography: Retrieved 16 August Von Gott poetisch-musikalisch reden: As concertmaster, he assumed principal responsibility for composing new works, specifically cantatas for the Schlosskirche palace churchon a monthly schedule. The music illustrates the union of the four contrasting elements all beginning with K: Don’t show me this message again.


Bach repeats the beginning text four times, while the singular destination appears only once.

Weinen, Klagen, Sorgen, Zagen, BWV 12 – Wikipedia

Hyperion offers both CDs, and downloads in a number of formats. In the second aria, ” Ich folge Christo nach ” I follow after Christ[1] the decision to follow Jesus is made.

The prescribed readings for that Sunday were from the First Epistle of Peter”Submit yourselves to every ordinance of man” 1 Peter 2: Retrieved winen ” https: This page was last edited on 13 Novemberat He composed Weinen, Klagen, Sorgen, Zagen as the second cantata in the series, on a text probably written by court poet Salomon Franck.

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Kreuz und Kronen sind verbunden.

It weinenn thus heard six times in different context, related to the repetitions of the passacaglia of movement 2. Franz Liszt based extended keyboard compositions on the same material. Added by giordaniello the The first of three arias, ” Kreuz und Krone sind verbunden ” Cross and crown are bound together[1] reflects the conflicting motifs of “Kreuz und Krone” cross and crown and “Kampf und Kleinod” conflict and jewel.

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The cantata is opened by a Sinfoniamarked adagio assaiwhich resembles the slow movement of an oboe concerto, with an expressive and plaintive solo. Retrieved 15 April Other recordings available for download. Public Not listed Private. Franck contends that this is true not only for the disciples who were addressed directly, but for every Christian.


Beginning with the highest voice, each part sings an extended sigh. The table entries are excerpted from the list of recordings from the selection on the Bach-Cantatas website. He composed it in Weimar for Jubilatethe third Sunday after Easterand led the first performance on 22 April in the Schlosskirchethe court chapel of the Schloss in Weimar.

Pseudo This is your nickname on free-scores. During the last aria, ” Sei getreu, alle Pein ” Be faithful, all pain[1] the trumpet plays the chorale tune ” Jesu, meine Freude ” as a cantus firmus ; [11] Bach may have thought of the stanza “Weicht, ihr Trauergeister” Go away, mournful spirits.

Weinen, Klagen, Sorgen, Zagen, S.179 (Liszt, Franz)

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In other projects Wikimedia Commons. Follow this composer Be informed by email for any addition or update of the sheet music and MP3 of this artist. Ich folge Christo nach.

Gottes verborgenes und offenbares Handeln in Bachs Kantaten in German. Both works bear a dedication to Anton Rubinstein, and both are klafen on the same wonderful theme. Bach reworked the first section of the first chorus to form the Crucifixus movement of the Credo in his Mass in B minor, the central movement of that work, three decades later.

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Chorale cantatas between Trinity and Easter: