The Parc de la Villette is the third-largest park in Paris, hectares in area, located at the . Bernard Tschumi designed the Parc de la Villette with the intention of creating a space that exists in a vacuum, something without historical . Jun 7, With the first dozen or so follies complete and the great north-south axis largely defined, the Parc de La Villette is beginning to take shape and. Also apply ideas from Tschumi: line/points/surfaces produce a Parc de la Villette Paris by Bernard Tschumi in Deconstruction, Omnibus Volume, prints.
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In the festival’s theme was “To Be 20” “Avoir 20 ans” and featured films about youth and self-discovery around the age of The vast expanse of the park encourages freedom, exploration, and discovery.
The design of the park is organized into a series of points, lines, and surfaces. The park was designed by Bernard Tschumia French architect of Swiss origin, beenard built it from to in partnership with Colin Fournieron the site of the huge Parisian abattoirs slaughterhouses and the national wholesale meat market, as part of an urban redevelopment project.
In architecture, a folly is a building constructed primarily for decoration, but either dde by its appearance some other purpose, or merely so extravagant that it transcends the normal range of garden ornaments or other class of building to which it belongs.
Bernard Tschumi designed the Parc de la Villette with the intention of creating a space that exists in a vacuum, something without historical precedent. There is a convention center and an I-MAX theatre. The park was intended to create space for activity and interaction, rather than be the place for the conventional relaxation and self-indulgence.
Each garden is created with a different representation of architectural deconstructionism and tries to create space through playfully sculptural and clever means.
In films were shown by American filmmakers Woody Allen and Sofia Coppola as well as French and international filmmakers. Designed by Bernard Tschumithe park is meant to be a place inspired by the post-modernist architectural ideas of deconstructivism.
Retrieved from ” https: Leave a Reply Cancel reply Your email address will not be published. On its own these two grids are regulated and rational however, when you layer the two, as Tschumi had, the plan becomes irrational and sporadic. An estimated 10 million people visit the park each year to take part in an array of cultural activities. They are distinctly organized on a grid creating a regularity to the park.
The park embodies anti-tourism, not allowing visitors to breeze through the site and pick and choose the sites they want to see.
Parc de la Villette, Bernard Tschumi – New Age Architecture
Each garden is created with a different representation of architectural deconstructionism. To some, the pe has little concern with the human nernard of park functions and the vast open space seem to challenge the expectation that visitors may have of an urban park.
The vast expanse of the park allows for visitors to walk about the site with a sense of freedom and opportunity gernard exploration and discovery. Several thematic gardens are incorporated into the scheme, offering places of discovery and unexpected encounters and juxtapositions between seemingly natural and man-made artifacts.
Great site, really good writing: This page was last edited on 18 Novemberat Wikimedia Commons has media related to Parc de la Villette. The Parc de la Villette hosts an annual open-air film festival.
Parc de la Villette, Bernard Tschumi
When separated these grids are rational however, when placed on top of one another they intersect a multitude of times creating pockets of densities destroying the regularity of the grids. The design of the park capitalizes on the innate qualities that are illustrated within architectural deconstructivism. Great to read your text: All links outside galinsky will open in a new window.
There have been many criticisms of the innovative design of the park since its original completion. Visitors view and react to the plan, landscaping, and sculptural pieces without the ability to cross-reference them with previous works of historical architecture. Festivals are common in the park along with artist conventions and shows by performers. It is where these two grids intersect that architecture happens, according to Tschumi.